Blogged by Xiao Sun in FAQ, Resources on July 18, 2008 at 06:45 CET.
Please Note: This blog post is part of a series of five posts altogether.
The posts include: Part 1, Part 2, Part 3, Part 4 and Part 5.
White Balance
Use this parameter to vary the degree of red and blue in the image to achieve a lifelike color representation. The values can be controlled manually or automatically. The automatic white balance feature offers two operation modes:
Auto: the balancing algorithms affects the video stream continuously.
One push triggers only one pass of the adaptation procedure.
Simple multimedia cameras only provide one white balance parameter. Thus, increasing the degree of red leads to a decrease of blue and vice versa. High quality cameras offer two parameters and thus allow to adjust independently the degree of red and blue:

(The End.)
Permalink
Blogged by Xiao Sun in FAQ, Resources on July 17, 2008 at 06:43 CET.
Please Note: This blog post is part of a series of five posts altogether.
The posts include: Part 1, Part 2, Part 3, Part 4 and Part 5.
Saturation
Use this parameter to adjust the color‘s saturation from monochrome to high color values:

Hue
Use this parameter to shift color values. Nevertheless, the relation between the colors remains:

(To be continued…)
Permalink
Blogged by Xiao Sun in FAQ, Resources on July 16, 2008 at 06:42 CET.
Please Note: This blog post is part of a series of five posts altogether.
The posts include: Part 1, Part 2, Part 3, Part 4 and Part 5.
Sharpness
You may use this mechanism to enhance blurred images. Overdoing its application leads, however, to distortions:

Gamma
Gamma increases or decreases the middle graylevels. In other words, you compensate the non-linear behavior of picture tubes:

(To be continued…)
Permalink
Blogged by Xiao Sun in FAQ, Resources on July 15, 2008 at 06:35 CET.
Please Note: This blog post is part of a series of five posts altogether.
The posts include: Part 1, Part 2, Part 3, Part 4 and Part 5.
Gain (Contrast)
Gain determines the amplification of the CCD’s output signal. This parameter may be adjusted manually or automatically. The amplification increases the contrast. A high gain, however, leads to noisy images:

Offset (Brightness)
The offset is added to the CCD‘s output signal. This parameter may be adjusted manually or automatically. Therefore, adding the offset increases all graylevels. Thus, the image looks brighter:

Auto Exposure und Exposure Reference
Auto Exposure determines whether the adjustment of the exposure time and the gain (see Shutter and Gain) is to be adjusted manually or automatically. You can use the parameter Exposure Reference to control the automatic operation. It compares the mean graylevel of the current image with the Exposure Reference. If these values are different, the exposure time as well as the gain are varied accordingly.
(To be continued…)
Permalink
Blogged by Xiao Sun in FAQ, Resources on July 14, 2008 at 06:19 CET.
Please Note: This blog post is part of a series of five posts altogether.
The posts include: Part 1, Part 2, Part 3, Part 4 and Part 5.
Introduction
The quality of an image is determined by many things: Illumination, lens and camera parameters. In the following text, we are going to take a look at how to set camera parameters for optimal image quality.
Shutter (Exposure Time)
The shutter determines the CCD‘s exposure time. It may be adjusted manually or automatically. The three first sample images show a key ring (the LED is initially off) with correct exposure time, one which is too short and another which is too long:

Switching on the LED, the image is overexposed in such a way that it only shows a big, white spot. The LED is correctly represented, if we decrease the exposure time. There is, however, a vertical line which disturbs the image. This is a typical CCD problem and is known as “smear”. To avoid this, we close the diaphragm and increase the exposure time:

(To be continued…)
Permalink